I have been struggling with how to begin this review since Tuesday
night. A very real act of horror will always be associated with the Dark
Knight Rises, and it would be insensitive not to touch on that. I will
only do so briefly, just to say that it's all incredibly sad. I want to address the film on it's own merits separate from that unpredictable tragedy.
The Dark Knight Rises is also difficult to write about
because of the risk of spoilers and also because it is so hard to
articulate all my feelings about it - and I have so many feelings! But,
for instance, when asked my feelings directly after the movie I said
"I... eihj.. um...."
This review might be unjustly sparse.
The simple fact is, The Dark Knight Rises is a brilliant film.
I wasn't expecting it. I am not a big fan of Batman Begins, and
while Heath Ledger as The Joker in The Dark Knight was absolutely
spectacular, the rest of the film was good but not great. So I was
expecting something entertaining, but not overwhelming. But it just was so good. Overwhelmingly satisfying and entertaining and excellent.
Whereas in the previous films of the trilogy, some casting choices fell flat *cough*katieholmes*cough*
- DKR boasts one hell of a cast. I am a big Christian Bale fan, who
looks a bit more The Fighter than Batman here - he seemed to put more
into his performance as Bruce Wayne/Batman than he did in the last film,
and the payoff is great. Other returning cast members continue to
shine. Gary Oldman slips occasionally in his American accent, but is
able to give more depth to Commissioner Gordon. And of course, Michael
Caine as Alfred Pennyworth (ha, Pennyworth) is touching and at times
heart-wrenching. A surprise appearance by another returning performer is
also a delight.
Joseph Gordon-Levitt (my heart of hearts) joins
the cast as an earnest young police officer named Blake, able to see the
truth where others can't. I'd watch that guy eat a bowl of soup and be a
happy girl, but he really is suitably cast for this role.
Anne Hatheway is a god damned revelation as Selina Kyle. Nolan's
characterization of Catwoman is so much more human than previous
incarnations - less camp, more intelligence, less crazy-bitch-trope,
more realistic will for survival. Her point of view is one to be taken
seriously, Hathway's performance utterly empathic, yet still devious.
When I first saw images of the Catwoman costume, it turns out I didn't
know what I was looking at. It's actually a costume that makes total
sense.
Turns out Tom Hardy is a beast. Who knew?
Bane voiced my inner-monolog for literally days after watching the film.
Lest
you think that I could ever believe any film is entirely perfect, of
course there are some quite minor issues - some discord between the ages
of certain actors and their character's ages, a question as to why no
one thought about spreading out their body weight, and where on earth
Alfred could have gotten his eternal non-youth (he never ages!). And on the subject of Alfred, I think any movie that allows Micheal Caine to seem sad is just a cruel one! Cruel, I say!
I bet he'd scream if that suit moved by itself. |
There are some things to say about the politics of the
film itself - again, without going into spoilery details, Gotham is a
city with a wide gap between their Bruce-Wayne level elite, and their
disenfranchised middle and lower classes. Much like we have seen in the
real world, some of those lower classes are trying to stand up against
the rule-bending, unfairly rich - the 1%, if you will. Selina Kyle and
Blake both represent two sides of the same not-obscenely-rich coin - he
believes that hard work and honor are the key, she has a more desperate
sense of self-preservation. Neither of them desire the change that Bane
brings - but much like the protestor suddenly standing in the middle of a
violent riot, there are some things outside of their control. It might
seem quite conservative that the silver-spoon-born Bruce Wayne is the
key protagonist - but it is key to note that it isn't Bruce Wayne after
all. It's Batman.
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